Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

April 13, 2009

New discoveries at Forest Hills



I've been taking a closer look at the Field of Manoah to get ready for an upcoming tour and found some interesting new people buried at Forest Hills. One such discovery is Katie Juglaris, who is memorialized with a beautiful marble medallion with a portrait created by her husband, the artist Tommaso Juglaris. I had never heard of either of them, but was intrigued by the skill and charm of the portrait. I did some research to find out more about him and found that he was quite well-known in the Boston area in the late 1890s, but later fell into obscurity.

An Italian immigrant, Juglaris created frescos for many interiors, including a series portraying the Greek muses for the Michigan State Capitol; these were painted on canvas here in Boston and shipped to Michigan for installation in the building's ornate dome. He taught at Rhode Island School of Design and worked for master lithographer Louis Prang (who is memorialized at Forest Hills with a cenotaph). Interestingly, Juglaris was one of the mentors of the much better known Childe Hassam. Juglaris is not buried at Forest Hills because he returned to his native Italy, where he died in 1925. However, his sensitive portrait of Katie, complete with an elegant pearl earring, remains permanent testimony to their love.

September 2, 2008

Should scrap metal yards be held accountable?

The theft of three bronze sculptures here at Forest Hills prompted a great editorial calling for new reporting regulations for scrap metal yards. These regulations would reduce the theft of objects for the value of materials and is urgently needed as prices for metals soar. This type of theft is particularly devastating when sculpture is the target. Once melted down, there is no possibility of recovering the work; it has been destroyed for a fraction of its price as artwork and in vicious disregard for craftsmanship, meaning, and unique beauty. The Globe put it well:
It's heartbreaking to learn that bronze sculptures in the Forest Hills Cemetery have been stolen from their eternal homes, possibly to be sold off for scrap metal. The beauty and serenity of the 19th century garden cemetery, enhanced by these contemporary sculptures, cannot be valued in price per ton.
Public art all over Boston is at risk, so if you agree, contact your state legislators. Police investigation turned up the information that our sculpture was offered to one scrap yard that refused to take it, suspecting theft. But that doesn't mean the thieves didn't locate a dealer willing to look the other way.

The media has been very helpful covering the story of the theft of three contemporary bronze sculptures from Forest Hills and publicizing the reward for information leading to their regurn: The Bulletin, The JP Gazette, The The Boston Globe, WBUR 90.9 radio, and Fox News.

August 29, 2008

Tragedy at Forest Hills: Sculpture Stolen

Many people have already heard the devastating news about the theft of several works of contemporary sculpture from Forest Hills this August. The works stolen were: Garden's Edge (known fondly as the rabbit by the lake) by Tim Cherry; Seated Ceres a charming goddess of the harvest by Kahlil Gibran; and Bark Balls by Carol Spack, a group of three spheres suggestive of tree spirits and sited under the landmark weeping beech near the cemetery's main entrance. All of these works were made of bronze; we believe they were stolen for the value of their materials and sold to a scrap yard to be melted down.

This is a terrible loss for the artists, Forest Hills and the greater Boston community. We have received many calls from visitors who loved these works – familiar favorites from strolling in these beautiful grounds. Both Bark Balls and Garden's Edge were featured in the Trust's Family Guide, and particularly loved by children.

We have posted a $3,000 reward for information leading to recovery but are not optimistic. Because of the way it was fabricated, Seated Ceres is irreplaceable. Sadly, Kahlil Gibran passed away this year and the sculpture was part of his legacy; he is buried at Forest Hills. We are exploring the possibility of commissioning new versions of the other two works. The Cemetery has upgraded its security procedures and will install security cameras at the two main entrances. Fearing more thefts, we have decided to remove the most vulnerable small bronze pieces remaining on the Sculpture Path.

Alert visitors remain one of the most important guardians we have for the many treasures here. If you are ever at Forest Hills and see anything suspicious, do not hesitate to report it.

If you are interested in supporting the replacement of these works, please contact Nini Colmore, our Director of Development, at 617.524.0128. We would be grateful for your help.

March 8, 2008

Forest Hills in Snow


We had a lovely snowfall the afternoon and evening of February 22, so the next morning I brought my camera to the cemetery and tromped around for a couple of hours. The grounds crew had plowed the roadways, but the snow on the trees, bushes, markers, and monuments was undisturbed. The sky was overcast, so the light was flat and the scenes monochromatic, creating a classic cemetery mood. The next day was clear and brilliantly sunny, so I went back with my camera and (for the most part) retraced my steps from the previous day’s shooting. You can see the results of both days’ walks here. I am interested in reader reactions to these photographs. If you’d like to respond, feel free to use the “Comment” feature. I hope you enjoy the tours.

March 5, 2008

“Brothers of the Wood” goes off for a beauty treatment…..













One of our wonderful contemporary bronzes—and admittedly a personal favorite of mine—is heading back to the foundry for some much-needed repatination. Originally sculpted in wood by Seattle-based Leo Osborne in 1998, “Brothers of the Wood” is a representation of a wolf and a raven nestling together, based loosely on Native American lore. Forest Hill’s “Brothers,” the first bronze cast from the wood original, has been displayed outdoors since 1998. Now, however, with the loss of color to the wolf (reddish-brown) and the raven (black), Leo has generously offered to help us in our efforts to keep the sculpture looking its tip-top best. So off it goes to Oregon for a “spa treament.” Look for “Brothers' " bright and colorful return sometime later this spring…..when a wolf and a raven will once again nap peacefully under the trees.

February 14, 2008